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"Three Poems for Elisha Porat." by John Horvath Jr. SHAPE OF FIRE


The shape of fire is a dance;
the woman is heat lightning
whose summer dancing shapes the fire
into the dancer's hand, a shaking wrist,
and limbs that wave like forest mosses
in the wind. Along the river by the fire
breezes rippling reflect flames rising.

The shape of fire is the forest
leaf and frond reshaping shade
where the shape of fire races;
flight of owl and birds of prey
rise before her fire dancing--
the tropic limbs of fire rising.
Even the wings are fireshapes
where the woman fire-dances.

The shape of fire
endless last summer
where the waters met,
together dancers flow,
together forests burn.
Heat lightning in the heat of night
captures movement for a moment;
morning-after embers still
recall fire-dancer dancing shape.

The shape of fire
is remembrance written
as patterns where wood
and garden once had stood;
the body of the woman
is also shaped like fire.

WINTER LANDSCAPE: JERUSALEM

Foolishly, I had expected snow but
the city does not change with seasons
as some do. The golden sunset walls
remain in winter as bright at dawn as
in summer. Jerusalem cannot change --
for some, the city is as it was first
built or when the riots of Babylon
descended on its citizens. But, divided
once, the city is divided still.

Evening's are the evenings; no more.
The dawn is as the dawn has been since
first recorded time. The day is rumor's
napping place. The nights are quiet
drinks we share with friends. Adib had
introduced me to his sister; I was
surprized, so Western was the gesture
that I felt annoyed at such effrontery.

She was beautiful: continents mingled
in that face where Sheba and Mongol met
and her walk was the grace of ancient
rivers half a world was in her walk
(a dance of vails might less entrance--
had the King seen THIS, John's head
he'd spare). I do not jest, exaggeration
does her ill, for when she spoke birds
grew silent with jealous listening,
wishing that her song were theirs.

Adib had sinned against mankind to bring
this Angel out; no mob should look upon
such things that steal dreams from men.
Now I am old, cold in my winter's bed,
unclothed except in memory of Kalima'
unreachable and untouchable. Truly old.

Unremarkably old and sad, only a man
with memories of a Nativity in the Holy
Land where Moses' tribe continues war
with Canaanites whose luscious women
are beyond this mere mortal's grasp.
I would prefer to die at winter's end;
In Jerusalem in spring I prefer to die
with Adib's Words to describe my death.

SPANNING DISTANCES


It is an anomaly of an odd ether
to make friends from strangers
whose only connection
is words they've written.



John Horvath, Jr. says he has been influenced by Elisha Porat, an Ariga regular. Horvath says he "writes from 'inside the sinner' where events become experience, history becomes historicity, and memory shields. His poems-- focused on the strange and stranger among us-- are widely published on the internet and in print magazines -- a bibliography is available at http://members.aol.com/janoshalma/ He also edits PoetryRepairShop You can write to him at JanosHalma@aol.com

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