Poetry
Poems by Alan Kaufman
WHEN I WAS A SOLDIER
Sometimes I walk with my face and hands dirty
in San Francisco
broke in the bright strange dream
of my manhood, and I remember
that I have done many things
in my life -- the street,
this day, are not the last stop, and immediately
I cheer up. I chide myself: what the hell am I down for?
I have such incredible memories!
Like, of that time
in the Israeli army, crossing
the desert armored
in a personnel carrier
when suddenly the column stopped
in a dust cloud,
wind blew back the scarf around my neck,
I squinted through goggles
as one by one the hatches flew
skyward and troops jumped free--
and by God when you see
your buddies
jumping out jump too!--
I ran to where they
churned sand to reach the commander,
who stood powdered with dust, except
where goggles left
big owl rings around his eyes--
he faced a circle of the bravest
finest soldiers imaginable
and I elbowed my way through
to see what held us there.
It was a desert narcissus to be exact: very rare,
lilac -white, lithe and sad as a betrayed
woman slumped in an evening gown--
it grew on a remote plain, and had survived flood,
roaming camel hooves of mounted Bedouin,
the flowing passage of trampling herds;
had endured withering heat, scorpions
and jackals, and I guess that only
the beautiful angry love of God could have kept
that thing alive--
so, we laid down our firearms and unbuckled
our helmits and vests,
we shrugged off the thousands of rounds of ammo
that we humped everywhere, and we put down
our sidearms too, everything, and melted to the
ground in a grimy
khaki-colored ring to observe the tiny fragile lady
cry all alone in the ballroom;
and distant jackals gathered on a hill,
stunned by the sun's bright fire, turning black--
and it's many years since then.
I am recalling this on a sidewalk
in my new life reborn as a poet--
my soul does not starve:
it's such memories that keep me
going forward beyond where roads appear to end--
Hey, Alan, I laugh, Hey Alan, keep walkin'
and remember that time
when...
A CHILD IN A WAR
On the last night of Spring
They freeze in your arms like flowers
At the big thunderclap noise
Sensing panic in your chest
As if the sky were a friend
Who had suddenly slapped them
In the face
They cry as chemical warheads fall
They are not heroes
And do not like air raid sirens
To interrupt their sleep
They try to wriggle free of gas masks
If blessed to have one (just moments ago
They toddled in sunshine...)
A child in a war is a teacup in the path
Of a stolen car
Your heart borne in your arms
Through a burning house
The choice to jump six floors
Or die in the flames
The last still completely
Trusting set of eyes
Seeking yours
In a world gone blind
Who Are We?
Into the past
I go like a stranger
to discover why at night
I lay alone as a child
waiting for the front door
to slam, my father gone
to night-shift work,
and my mother, Marie, to enter,
unable to sleep, and tell me
tales of childhood
war, pursued by those
who, as she spoke,
seemed to enter the room,
Gestapo men in leather coats
who ordered me to pack
and descend to a waiting truck,
for I am still going to Auschwitz
though a grown man in 1998
I am still boarding the freight,
crushed against numbed, frightened
Jews and Gypsies and Russian
soldiers and homosexuals
crossing frontiers to be gassed
I am her, in my heart,
though I am six feet two
and two hundred and ten pounds
and have played college football
and served as a soldier
and have scars from fights
with knives and jagged
bottles smashed on bars
I am still her, little girl,
hiding in chicken coops
and forests, asleep on dynamite
among partisans
I am still her, brushing teeth
with ashes
from the ruins of nations
gutted in war
I am still her brown eyes
and black hair of persecution
foraging scraps of thistle soup,
a star-shaped patch
sewn to my shirt
I am still my mother
every day in the streets
of New York or San Francisco,
the chimney skies glow and swirl
with soot like night above
a crematorium, or the Bronx
incinerator chute where I
threw out trash in a brick
darkness shooting sparks
I am still her in the streets
of Berkeley, walking among
sparechangers, dyed-hair punkers,
gays in stud leather, Blacks,
Mexicans and Asians
I am still her rounded up
among poets and thieves
and politically incorrect
social deviants
on sun-drenched sidewalks
in the Mission and the Haight,
Greenwich Village, the Lower
East Side, or anywhere the weird
congregate in tolerance
And every day in this age
of intolerance,
in a mental ghetto
affirmed by the homeless,
I pass the dying
with the loud ring of my boots,
ashamed to think that perhaps
my heels are the last thing
they heard
Every day I am a
survivor of AIDS and poverty
Every day I sit in cafes
watching tattoos turn to numbers
and I grow angry
I want America back
I want America to be
the home I never had
And you, who are you
if you hear my voice?
Who are you, stranger
if you read these words?
Who are we
who stand threatened
in these times of darkness?
Who are we, condemned to die,
who do not know ourselves
at all?
MONDAY AFTERNOON IN
HAIGHT ASHBURY
You're in a sidewalk cafe
in Haight Ashbury, San Francisco
but unlike New York
your coffee cup isn't bussed
the minute you've drained it
They let you sit from morning
to night, undisturbed
Your cup refills
at the pace of your thirst
You can bag a big table
for yourself and sprawl
You can write poems
a single line in a day
or five pages
in one hour
You can read free alternative newspapers
go out back to the garden
to bake in the sun
or stare out the window
at the endless procession
of slackers
Or you can stare
at your hands
as you're doing now
thinking of the daughter
whom broken marriage
led you to abandon
She lives abroad
with her mother
How, you wonder
without the bucks to send
a gift six thousand
miles away, will you fill
the void you've left
in her?
Or, you can take out
her picture, study it,
the one of her in profile
staring sadly through a window,
imagine that she is wondering
where you are
or you can visualize her waking
startled at night crying:
"Daddy!" But, you're not there
You're in Haight Ashbury,
in your thirties, recovering
from alcoholism, writing poems
You are like so many New Yorkers
who ran aground
in bars on bad marriage
hard labor, mindless consumerism
You made one last ditch geographic
to California to remake yourself
like a sixties movie hero
of mid-life crisis --
but it's the nineties so
you're dressed in black motorcycle
gear, not headband and sandals
and Tracey Chapman is teasing
tears from your eyes
When your forty
she'll be ten
and when you're fifty
she'll be twenty
and if you can live to sixty
with your booze-damaged
guts there'll be a reunion,
gifts, letters, phone calls,
sure, and even a book or two
dedicated to her
and maybe you'll
have dropped in one weekend and meeting
in the kitchen over a midnight glass
of milk, she'll tell you
that nothing you do or say makes it better
"You were gone," she'll say "I needed you then
I feel so empty"
You miss her cries of
glee, others reassure
her fears
there are times
when none but you
can help
but you do not hold her
you cannot hold her now
you will not soon fill your arms
with her softness, her blondness
her blue eyes, her face like yours
It is Monday afternoon
in Haight Ashbury
you are alone
and you say her name aloud
Bus
At the gateway
to America
Greyhound strikers
shrieked:
"You won't
get out!"
Ninety bucks
to cross the
land by bus
For this, embarked,
anonymous. neither
lonely or glad,
a young man
with family
stared at his
ticket, afraid
and an old aunt
stooped to her
bags as a skinhead
cursed her back
and a punk with a pierced nose
sighed: " this country's
fucked"
and beside me
an ex-con, patting
his hair, snapped:
"Man, I done my time!
I'm going home"
We boarded like
souls on Charon's bark
As the road
stroked by wheels
removed its dress,
one by one
we laid our tired
heads on breasts
of trembling
glass
But somewhere
in Pennsylvania
I woke,
my face a gun
The Saddest Man
On Earth
The saddest man on earth...
Ignored how the rain felt
as he left home
for the last time
Wore down
his boot heels
searching for the woman
of his dreams,
but never understood
that life is a woman
Lived in a town
where sadness was illegal
and where grinning
cops ticketed his face
so often
that he lost his license
to cry
The Saddest man
on earth
tuned guitars
but couldn't play them,
cheated the IRS
of his own refund,
fathered a child
who thought she saw
him in perfect strangers
yet didn't recognize
him face to face
I met him once
in a bar
toasting the mirror
with his stare
He had come
south to start
life over
He was a
Mozart of silence
Alan Kaufman
lives in San Francisco, where he works as a
poet, and has an anthology coming out
this Fall from Thunder's Mouth Press, entitled "The Outlaw Bible of American
Poetry", a 996 page history/anthology of 'Outsider' poetry from the 50's to
today, and containing the bios,pics and poetry of everyone imaginable, from
Ginsberg and Kerouac to Dylan and Patti Smith, and then some. "It's a real
monster and I'm very proud of it," he writes. You can write to him c/o Akpoem@aol.com
Its still too early to order if, if you're interested in one but here's
advance info about it:
The Outlaw Bible Of American Poetry edited by Alan Kaufman and S.A.Griffin,
$22.95, tradepaper, 1-56025-227-8, Thunder's Mouth Press, who are at
212-614-7887 (Tel) or 212-614-7887 (fax) and directly to the distribution
company is Publisher's Group West 1-800-788-3123....
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