| Batia Lichansky remains, for years after her death, one of the towering figures in Israel art and sculpture. Her work is part of the canon in Israel in every sense of the word, the result of the meeting of Batia the artist and Batia as a powerful woman, whose personal history is interwined with the history of the state of Israel.
While her work crosses genres, including as it does public monuments, busts, miniatures and free compositions, her style and intent form a pattern of celebration: a celebration of the human spirit. |